commissioned art
amsterdam stock exchange
canal boat company 'lovers'
centraal boekhuis
central income tax building
cruise ship queen mary 2
dsm
ducth cancer institute
dutch embassy in aman
foundation intermin
holland america line
hotel arena
hotel jl no. 76
housing company stadgenoot - 2
novib
palace of justice Amsterdam
private commissions
 

dutch embassy in amman, jordan: design for the courtyard

(not executed)

  clear
 

the design for the courtyard

(artist impression)

     

In consignment for the Dutch Ministry of Foreign Affairs, Barbara Broekman designed a courtyard for the Dutch Embassy in Amman, Jordan.

Apart from a broad set of practical demands (considering maintenance, vandalism and safety), the content of the design also had to meet the commissioners’ standard. The work should raise recognition of both the Netherlands and the guest country, play an active role in the direct surroundings and work as a conversation piece. For every assignment Broekman makes an in depth study of al parties and aspects involved: the commissioner, the user, the passer-by, the architecture, the material, the history and the social context.

The investigation for this assignment led to the idea of a garden with mosaic. Gardens have always been important in the Islamic architectural and religious tradition: the Persian word ‘Pairidaeeza’ (Paradise) is a combination of words meaning ‘walled space’. Users of walled gardens withdraw to the beauty of the world within the fence, to enrich the mind and experience the humbleness of human existence on earth. Fountains, greenery, furniture and lush mosaics provide calmness, coolness and a sense of wellbeing.  

Broekman usually samples existing imagery in her work: from newspaper photos, well-known works from the art history, to private snapshots and scientific illustrations.  She weaves them into complex compositions - with each other and with textile patterns from cultures all over the world. For the design of the walled garden of the Dutch Embassy, Broekman mixed typical, almost cliché like Dutch scenes with abstract Arabic textile motives. Together, they look like a patchwork of squares, resembling a view on the Netherlands from above. To spare scarce water, trees replace the traditional fountains.

Jordan has a rich tradition in applying natural stone for mosaics. The color schemes (cool grays for the Netherlands and warm reds for Jordan) are adapted to the fact that the material should be mined from the surrounding area.  

 

   
  overview of the courtyard
     
 

detail of the courtyard

showing the central sculpture, a re-interpretation of the traditional fountain